Conservation

„Balti Konservaatorite triennaal 2017 postrid“

EXHIBITION: “THE HIDDEN SIDE OF THE COLLECTION OF TARTMUS”
STUDY OF HYDROGEL MATERIALS FOR PAPER CLEANING PROCESS
THE PREPARING OF URVASTE CEMETERY PLANS FOR DIGITIZATION
EXPOSED CONCRETE RESTORATION AND RECONSTRUCTION OF THE LATVIAN NACIONAL MUSEUM OF ART IN THE NEW BUILDING ANNEXE
X-RAY STUDIES OF SELECTED ARTEFACTS FROM THE COLLECTION OF THE ART MUSEUM OF ESTONIA
The 11th Triennial Meeting for Conservators of the Baltic States, Tartu, Estonia 2017 CHANGING CONTEXTS: FROM ENVIRONMENT TO IDEAS
CONSERVATION OF THE ICON "SAINT ALEXANDER NEVSKY" FROM THE PREVIOUSLY ABANDONED ORTHODOX CHURCH OF ALEXANDER NEVSKY CHAPEL (PUDINAVAS VILLAGE, LATVIA)
VÄÄNA MANOR HISTORICAL WALLPAPERS
PRESERVATION AND RESTORATION OF PAINTED CLAY PLASTER IN BJØRGAN PRESTGÅRD (2015 - 2016)
RESIDUES ON ARCHAEOLOGICAL FINDS: INVESTIGATION AND INTERPRETATION
SEARCHING FOR TRUE: DIFFERENT RESTORATION AND RECONSTRUCTION METHODS OF TWO FEMALE CAPS
RESTORATION OF CHINESE WOOD ENGRAVINGS FROM LITHUANIAN ART MUSEUM
CHALLENGES WHILE PRESERVING PROCESSIONAL ALTAR
SEARCHES AND SOLUTIONS IN RESTORING SURFACES
OLD SIDEBOARD SHONE IN ITS BEAUTY
RESTORED FOUR EVANGELISTS SCULPTURES FROM VILNIUS ST. JOHN’S CHURCH
RESTORATION OF KAZIMIERA ZIMBLYTE (1933-1999) ARTWORKS, MADE IN COLLAGE TECHNIQUE
THE RESTORATION OF THE 19TH CENTURY ANTEPEDIUM
LOUIS XVI – STYLE TABLE
IMAT APPLICATION IN ART CONSERVATION
SCIENTIFIC RESEARCH AND RESTORATION OF PAINTING "IMMACULATE CONCEPTION OF VIRGIN MARY”
CROSSES AND WAYSIDE SHRINES IN MUSEUMS. RESEARCH AND RESTORATION
CONSERVATION OF MEDIEVAL ARMOURS FROM CESIS CASTLE
RIGA CASTLE: THE RESTORATION PUZZLE RESOLVED
ROMAN IRON AGE HOARD FROM VIRUMAA
CONSERVATION OF AN EMPIRE-STYLE TABLE
CONSERVATION OF THE PAINTING MEETING ON 21.06.1940 (BY A. JEGOROV, 120 X 103 CM)
HOW TO MAKE THICK LIMP-BINDING COVERS USING TEMPORAL CARDBOARD MOULD: ON EXAMPLE OF 16TH-CENTURY MANUSCRIPT FROM KULLAMAA (WEST ESTONIA)
CONSERVATION OF A BAROQUE-STYLE CUPBOARD
HOW TO MAINTAIN THE TRANSIENT: THE ART OF COLLABORATION AND THE SECRETS OF PHOTOCOPIES
DIGITISING GLASS NEGATIVES AT THE SA EVM CONSERVATION AND DIGITISATION CENTRE KANUT IN 2005-2016
LAYERS OF HERITAGE ON SHELVES, ALL VISIBLE FOR A VISITOR. CASE STUDY OF ESTONIAN NATIONAL MUSEUM’S FACULTY IN HEIMTALI
POLYCHROME EPITAPH COAT OF ARMS OF THE VON MOHRENSCHILDT FAMILY
CONSERVATION OF TRAVELCHEST
ADHESIVE BASED SUPPORT AS AN ALTERNATIVE METHOD FOR FRAGILE TEXTILES MEANT TO BE DISPLAYED HANGING
CONSERVATION OF THE PAINTING ESTONIAN DECLARATION OF INDEPENDENCE IN VILJANDI ON FEBRUARY 24 1918
CLIENT: MUSEUM VERSUS PRIVATE CONTRACT
When Plaster Needs a Plaster Cast. Recovering of Broken Plaster Limbs
SALVAGING AND CONSERVATION OF FIRE-DAMAGED PRAYER BOOKS OF PIIRISSAARE OLD BELIEVERS CONGREGATION
CONSERVATION OF 19TH CENTURY BOTANICAL TEACHING AIDS AT THE UNIVERSITY OF TARTU
Autopsy of Contemporary Art on Conservator’s Table
Examples of the use of UV-electromagnetic radiation to study selected paintings at the Art Museum of Estonia
SALVAGING AND CONSERVATION OF FIRE-DAMAGED PRAYER BOOKS OF PIIRISSAARE OLD BELIEVERS CONGREGATION
PREPARATION OF ANALOGUE FILM FOR DIGITIZATION