fig 21. CHINE-COLLÉ GOES ON WITH ITS LIFE OR - ABOUT THE CONSERVATION OF TWO PRINTS IN THIS TECHNIQUE AT THE KANUT AND THE CONSERVATOR`S CONTACTS WITH THE ARTIST

fig 21. Due to water-damage the whole etching was puckering, especially above the flood-lines.

fig 21. Due to water-damage the whole etching was puckering, especially above the flood-lines.