fig 17. CHINE-COLLÉ GOES ON WITH ITS LIFE OR - ABOUT THE CONSERVATION OF TWO PRINTS IN THIS TECHNIQUE AT THE KANUT AND THE CONSERVATOR`S CONTACTS WITH THE ARTIST
fig 17. The upper layer having expanded and cockled had separated from the lower one due to the water damage. Bigger air bubbles were visible with side lighting in between the paper-layers. In press they might have endangered the image.