fig 18. CHINE-COLLÉ GOES ON WITH ITS LIFE OR - ABOUT THE CONSERVATION OF TWO PRINTS IN THIS TECHNIQUE AT THE KANUT AND THE CONSERVATOR`S CONTACTS WITH THE ARTIST

fig 18. This was an amazing case due to the fact that the damage seemed to have hidden itself within the image – the finer cockles were in the same region, where the artist had depicted puckered paper on his print. The hiding was so good that the puckers were not even noticed at the first glance.

fig 18. This was an amazing case due to the fact that the damage seemed to have hidden itself within the image – the finer cockles were in the same region, where the artist had depicted puckered paper on his print. The hiding was so good that the puckers were not even noticed at the first glance.